Sunday, July 11, 2010

Wannabe runner meets don't-necessarily-wannabe domestic goddess

Tuesday, June 27


I don't get a callback for Man of La Mancha, so I spend the morning in Central Park.  I'm running by 7:15, reminding myself how good it feels to shake out my sleepy bones and break a good hard sweat.  I've gradually perfected a playlist of music with just the right beat and vibe for running.  My slightly neurotic music major brain gets bent out of shape if I can't run in time to the music.  Finding just the right songs is harder than you might think.  One of my favorites so far, though, is "Brand New Day" by Tim Myers.  It's from Meghan's annual mix, and I play it on repeat to blast through the last few hundred yards of my run.  Thanks, Megs!


Back at home, I tackle a mounting domestic issue: I am running out of clean clothes and will soon be forced to either smell gross or join a nudist colony.  I vote the former.  I load up on detergent and a pocket full of quarters and schlep my clothes to the laundromat a block away.  I decide Tuesday afternoons must be a good time to do laundry because only a couple other people have the same idea.  It's a nice, quiet way to spend an hour or so.  After finishing Three Cups of Tea—an incredible book I recommend to everyone—a few days earlier, I dive into Donald Miller's Searching for God Know's What.  I'm reminded of how much I like his voice.  His low-key intellectualism and humor seep right out of the page, and I find myself laughing out loud for an audience of empty washing machines.


A couple hours and five dollars worth of quarters later, my closet is stocked with sweet-smelling clean clothes again.  Oh the simple pleasures.  :)  It's like being in Thailand all over again and feeling so happy to finally get rid of the grime of the city.  New York is like Bangkok in a lot of wayshot, muggy, dirtier than Yelm or Spokane, and relatively unkind to the state and smell of your clothes.  Which is why I love washing machines.

Later that night, I bust out my imaginary chef hat and get to work on a recipe Brooke gave me before I left.  Back in January of 2008 while in our prep class for the New York Jan Term trip, I saw Brooke snacking on some fascinating bright purple food.  She told me what it was, but I didn't give it any thought until this summer, random as it may be.  The recipe is for tabbouleh, a traditional Lebanese dish, garnished with cooked beets.  


It's a pretty easy mix of bulgur (from wheat), scallions, lemon zest, olive oil, tomato, mint leaves, and boiled beets.  She usually includes some crumbled goat cheese, but I used feta from cow's milk instead.  Beware: the beets are messy, and for a little while, they'll stain your kitchen and your hands bright purple.  No worries.  You'll soon return to your God-given color.


To be honest, I was skeptical about the beets.  I tried them once before and thought they tasted like dirt.  Because they do.  Literally.  But when boiled, they're not as earthy, and they mix well into this recipe, especially when combined with strong contrasting flavors like mint and feta.


Here's the final product, which only gets more and more purple as the bulgur soaks up the beet juice.


Clean clothes and a refrigerator of delicious food.  I might not manage to book a New York gig, but I'm getting really good at the whole domestic living thing.  Scary.

Man of La Mancha and the Hand Cramp

Monday, June 28

It's an early start today, and I'm signed up for two auditions by 9am.  Tigers Be Still is a straight play, but the sides are provided, and I'm a close fit for several of the character types.  It's an EPA, and there are two or three dozen people in line by 8:30.  The studio hasn't even opened yet.  We all wait in the hallway, our ever-growing line of actors snaking back and forth and back and forth until we're sardined together with barely enough room to let people out of the elevators.

Once we're let in, I get my name on the non-Equity list.  Armed with my usual arsenal of makeup, hairspray, and my flat iron, I plug in in front of one of the mirrors and get to work on my audition face.  The auditions move along quickly enough, but I know it won't be until later in the afternoon that I'm seen, if at all.  Sides for the roles are posted and soon there's a swarm of actors standing around them.  The four sheets of paper are taped to a wall where eager actors scribble furiously to get all the lines down and get the heck out of the way.  Others use their iPhones.  Very smart move.  I eventually elbow my way within viewing range and write mine down by hand.  Ouch.

At noon, I walk down one block to Pearl Studios and the audition for Man of La Mancha.  Mine and Elizabeth's names are already on the list from earlier in the morning.  I'm one of only a handful of women waiting when I walk in, so I busy myself prepping my music.  By 1:30, the room is full, and Elizabeth is there with me.  Auditions start at 2:00, and since it's an open call and I'm number 20 on the list, my turn comes quickly.  I sing 32 bars of "I'll Know" from Guys and Dolls, say my thank-you, and that's it.  I check in with Tigers Be Still next door at Ripley Grier Studios, but they stopped taking non-Equity hours ago.  I'd copied two pages of the script and could have spared myself the hand-cramp, but oh well.  You win some, you lose some.

On the way home, I stop at Trader Joe's for some fixins for a recipe I got from Brooke.  I love that store, even if it is a zoo.  At home later on, I heat up leftover spaghetti, pour myself a glass of wine, and settle down to two dramatic no-brainer hours with The Bachelorette.  Don't judge.

Thursday, July 8, 2010

Second Weekend in the City


Saturday, June 26 & Sunday, June 27

I sleep in Saturday morning and spend the afternoon bumming around the apartment and doing some shopping at Trader Joe's at Union Square. The place is a zoo, and the line wraps around to the back of the store, but it's worth it. TJ's has the cheapest prices in town, and everything tastes delicious. Can't beat that!

Saturday night, I head to Central Park for the first time since getting into town. During the New York summer months, there are a number of companies that put on free outdoor theatrical events, and tonight's offering is Richard III. It's fantastic. We start just inside the park at 103rd Street and every ten minutes or so, there is a change of scene. Literally. The audience is directed to stand and relocate to another location in the park. We spend the evening moving with the actors, and by the end of the show, we're at 96 Street. The finale is like an epic Whitworth LARPing event: old-school sword fighting and several stab wounds. It makes me miss home a little, because I know how much my theatre friends would all get a kick out of this.

Since Jess and I are training for a 5K this fall, I get up early Sunday morning to go running in Central Park. The Jacqueline Kennedy Onassis Reservoir is smack in the middle of Central Park, and two laps around it conveniently comes out to 3.1 miles—a 5K. Even at 7am, it's pretty warm, but the view and a good iPod playlist make it a fantastic way to start the morning.

Later that morning, I head downtown toward the South Street Seaport to see the New Amsterdam Market. It's a regular market during most of the year, but it only comes once a month during the summer. The New York Times ranked it the number-one market in the city, and they weren't kidding. It's full of gorgeous fresh veggies, breads, cheeses, wines, chocolates, and just about everything else you could imagine. My favorite sample of the morning was a chili pepper-tainted square of dark chocolate. It starts out sweet then hits you with a spicy bang from the backside. While this market makes for some great taste-testing, it'll put a dent in your wallet real quick, so I leave with two small rounds of Norwegian ruis bread (pictured below) and a small bunch of beets for a recipe Brooke gave me.

I make it home in time to clean up for the Redeemer Church 6pm service. The music in the evening services is all jazz, as opposed to the classical in the morning services, and I love it. I've only been to one other jazz worship service. It's new and fresh, and there are a ton of people my age there. After the service, I contemplate rushing to a free salsa class in Brooklyn. Instead, I cross the street with a wave of the congregation and join the group in a post-worship fellowship gathering. There are fliers and info on volunteer and fellowship opportunities, plus free cookies and coffee for everyone. It's harder than you'd think just jumping into a conversation with complete strangers, so I don't make any friends—yet. But I pencil in some group events coming up, like pizza nights and picnics in Central Park, plus volunteering with a group that passes out free meals to New York's homeless. I find I am much more at ease in building relationships if I can keep my hands busy. Keeping busy making sandwiches will take some of the pressure off direct conversation. I'm excited to get started.

Tuesday, July 6, 2010

The First Callback


Friday, June 25

Today is my reprisal attempt at being seen for Jekyll and Hyde. The open chorus call is at 2pm, but I'm there early. Already there are a ton of girls there, and an unofficial list has been started. I'm #90. Of all the types of auditions you can go to in New York, this is one of the hairiest. One girl is bent on having the list honored, even if the casting director won't make it official. She and two other girls put on their drill sergeant boots and literally get about the first forty people to form a line. There is grunting and eye-rolling. Then there's the hauling of backpacks and curling irons and purses and music…oh my. I plop myself down on the wood floors, open up my makeup bag, and avoid the drama. Then I look up from my green eye shadow, and there's a girl looking at me. "Hi! Are you non-Equity? Because I think I've seen you recently." It was the Oklahoma audition. I remember seeing her and thinking she was really pretty. You know those girls. Not fake and over-worked. Just naturally really pretty. Anyway, her name is Elizabeth, and we hit it off right away. She went to Saint Olaf—she was so surprised to know that I'd heard of the school and knew how great the music program is—and graduated with a degree in voice, too. She moved to the city in December and has been going to auditions since February. Some callbacks, no real work. I tell her my story, and soon we're comparing music and giving each other feedback. Then the room starts to stir.

Somehow Sergeant #1 has gotten her hands on the cards (actual 6x6 sheets of cardstock). She begins calling people off the list one-by-one and passing out cards. If a girl isn't in the room, she gets skipped. I end up with card #74. Not bad. Elizabeth is in the 30s. I fill out all the necessary details and wait. After flip-flopping between two songs for the better part of an hour, I decide on "You Don't Know This Man" from Jason Robert Brown's Parade (if you haven't heard it, get to it). As luck would have it, another woman we've been chatting with on-and-off all morning is singing the same song. And her number? 73. Well, there are worse things. Her name is Jessica, and I find her really interesting. She's petite and Jewish, probably about 36, with a mouth that would make a sailor blush. But I like her. She's been in this a long time and is, as she says, a little "bitter and jaded" compared with younger girls like me who are just starting out. She must think of me as some cute novelty or something because she smiles at me a lot and giggles. My excitement and naïveté are something she doesn't see every day, and for one reason or another, she sort of opens right up to me. She suggests different dance studios and teachers and gives me general advice on what it is I'm here to do. This is turning out to be a great day.

Before long, they've reached my number. I grab my water bottle and line up behind Jessica. "You know, it's okay to tell them, 'I'm singing what she sang' when you go in." I thank her for the tip. Then it's my turn. The studio is bright from the sun shining in, and the folks behind the table read as really nice and invested. And I like the accompanist right away. He looks an old surfer from California with his crinkly reddish face, wild sandy hair, and big grin. "I'm actually singing the same cut as she just did," I tell him, trying to keep light and not sound apologetic. "Hey, it's a good cut!" Aww! What a nice guy! So I say hello to the panel, tell them what I'm singing, and do my thing. It goes off without a hitch, and I feel great. "Thank you!" And then I'm back in the hallway.

Elizabeth left before I sang because she didn't get a callback for the readings. Just off my 16-bar high, I soon get the news that I'm one of my group of 20 asked to stay! My first callback! Before long, the monitor passes out sides to four groups. I'm reading with three other girls. "They'd like to hear dialects, if you're able," she announces. I look at the script, and the dialect is written in all over. Thank you, Eliza Dolittle! What we have here, ladies and gentlemen, is Cockney! Half the girls in the room look nervous if not petrified. I couldn't be happier. It's been eight years since I was in My Fair Lady, but I pick the accent up like it was yesterday. When my group is called to read for the panel, the director, who happens to be the man who originated the role of Dr. Jekyll/Mr. Hyde, stands and assigns us parts. We read through once and he switches us up again. Then one more time. He stands the entire time, calls us by name, and looks really engaged. Between reads, he tells us "Excellent. That's really great. Thanks." Seems like a fantastic guy to work with. I start to think what landing this job would be like…

We finish and exit to the hallway. The monitor checks in with the panel and says they'd like to hear us sing some more. They want to hear more of my soprano sound, so I bust out my book. I've got "If I Loved You" from Carousel ready to go. Perfect. After some more waiting, it's my turn to sing. By now, it's almost 5:30, but I don't mind a bit. I'm just thrilled to have had my first really productive day. Two 16-bar cuts and a reading! That really makes it worth my while. I sing for the panel and get good feedback. The monitor tells me that's all for the day, and I'm free to go home.

I wait for a phone call, but it doesn't come. I'm not even disappointed, really. It would have been nice to land work so early on in the game, but I'll just keep putting in my time and keep cranking out 16-bar cuts. It'll happen when it's meant to happen.

Saturday, July 3, 2010

"Lifestyles of the rich (and the famous)..."

Thursday, June 24


The day begins with pancakes.  And not just your everyday Plain Jane pancakes.  Mine are chock-full of blueberries and cinnamon, then topped with fruit salad.  Here's what I did:


Follow the directions for your regular buttermilk pancakes, then dump in about 3/4 cup blueberries and cinnamon to taste.  Fold, being careful not to squish the blueberries too much.  Cook in a pan or on a griddle as usual.  Top with your favorite fruit salad.  I use 1 to 1 1/2 cups strawberries and 1/2 a Braeburn apple, tossed with a little cinnamon and sugar.  Delicious!

With no callbacks for Oklahoma or Karate Tango, today is wide-open.  I spend the morning making breakfast, hunting for auditions online and emailing headshots and resumes for what they call “photo requests” (if they like your look and your experience, they’ll call you to schedule an audition).  I put my feelers out there for anything that even remotely requires my type—Equity and non-equity, film, TV, stage, and musicals.  So much of this is a numbers game; I’ll put my name on anyone’s list.


Around 2pm, I leave for the West Side.  Somewhere along the line, I get lost in the subway system.  In an attempt to regain my sense of direction and get to where I want to be, I exit the station at Seventh Avenue and 50th Street.  As I climb the stairs to the street, my gaze is drawn upwards at the enormous stone church directly across the street.  I begin to sense a trend and a bit of God’s humor— St. Thomas Church is the second church I’ve found while being completely lost.  It’s an absolutely stunning Episcopal parish with what seems to be an excellent regular choral program.  I look at their music events for the rest of the summer and highlight a concert with Palestrina’s “Sicut Cervus.”  I sang it with the Whitworth Choir my freshman year while on tour in Colorado.  I’m not missing this one.


I eventually make my way to the Bryant Park neighborhood and register for a library card at the Mid-Manhattan New York Public Library.  It’s six floors and full of more than I could ever read or listen to.  And that’s not even the biggest library in town.  The mother of all libraries, with 15 million items in its collection (everything from children’s literature to medieval manuscripts, Japanese scrolls, baseball cards, and comic books), is the Stephen A. Schwarzman Building (pictured) just across the street.  Equally astounding, albeit lacking the architectural grandeur of the Schwarzman Building, is the Library of the Performing Arts at Lincoln Center.  But I’ll see that later this week.  With my new library card in hand, I carefully search shelf after shelf of the nonfiction section for just one cookbook to take home.  I don’t want to lug around more than that in my purse tonight.  I have to look put-together, not over-eager.  Because my grandma has this friend…

Susan Thomas (name changed) is a millionaire.  I’m not kidding.  She lives on the waterfront in Laguna Beach, and two years ago, her family bought two—count them, two—apartments in the newly-renovated Plaza Hotel.  Yes, that Plaza.  Like in Home Alone.  One of the apartments sold for $5.8 million.  That’s a lot of zeroes.  Anyway, my grandma got so excited when she heard I was going to be in New York that she gave me Susan’s phone number and insisted I call.  Susan was expecting a call from me, she said.  Via voicemail phone-tag, Susan and I made plans to have dinner sometime after June 21.  Grandma was so anxious to set me up with her millionaire friend who surely has connections that she called me three times in one day to make sure I’d followed through.  Yes, Grandma.  I’m prepared to schmooze. 

Dressed in what I call my Islander maxi-dress (the one I wore to the Theatre Department BBQ), I make my way to Fifth Avenue and Central Park South.  Across the street from the Plaza, hundreds of people are standing in line around the Apple Building.  They’re waiting for the new 4G iPhone.  Total insanity.  You’d think they were hosting a Twilight premiere or something.

The Plaza, grand as it is, is not such a massive place compared with much of New York’s buildings.  But I still manage to get lost.  I enter on the hotel side and am redirected to the residential lobby.  The place is a maze of shiny oak molding, marble floors, and glass doors.  There are shops and restaurants and cafes and about a dozen different elevators.  It takes me a few minutes to get to where I’m going and when I arrive at the inside entrance to the residential lobby, I have to knock on the massive glass doors.  The concierge turns to look over his shoulder at me, bounces out from behind the desk, and flies to unlock the door for me.  “Hi, I’m Mollie McComb. I’m here to—”  “Oh, yes.  Mollie.  They told me to expect you.”  “I’m a few minutes early for my six o’clock dinner appointment, so can I just wait here a bit before you call them?”  “Of course.”  The lobby is deserted.  An enormous arrangement of wine-colored stargazer lilies drenches the room in their fragrance.  And I feel dwarfed in the oversized, expensively upholstered armchair upon which I perch myself.  I pull a comb from my purse and try to discreetly brush through my wind-tousled hair.  Rich people make me nervous, I think.  I feel like whispering and folding my hands and avoiding eye contact.  Sheesh.  It’s just a hotel.

Before long, Susan steps out of the elevator to my left.  I haven’t called, but she’s  come to collect me anyway.  She greets me with a handshake and we take the elevator up.  In the apartment, I meet her husband and am given a brief tour of the apartment.  For $5.8 it’s not so incredible, actually.  There are wood floors, vaulted ceilings, crown molding, nice light fixtures, and big windows overlooking Central Park.  I’m sure the kitchen is gourmet, and they’ve furnished the place nicely, but anywhere else, an apartment like this would sell for a fraction of the price.

Susan sits me down with a fizzy lemon drink, and we make small talk until her daughter and granddaughter arrive.  Soon, they’re bursting through the door with frenzied apologies for being late.  I don’t mind at all.  They go to the kitchen and put together a plate of cheese and crackers and grapes, and we munch for a while as they quiz me about my time in the city so far, as well as my plans for the summer.  Susan’s granddaughter, Kelsey (name changed), seems nice.  She’s a year older than me and a graduate of Columbia.  Together, the three of them look like most of the Southern California women I know: blond, tan, and wrinkling prematurely, with impeccable matching manicures and pedicures.  They’re very nice, and I don’t feel under-dressed, which puts my nerves at ease.  The conversation actually goes quite well, and we soon head downstairs for dinner. 

A new restaurant, The Plaza Food Hall, just opened two weeks ago, headlined by some celebrity chef named Todd English.  The girls have gone there every night this week.  We order a small gourmet pizza with kalamata olives, goat cheese, and tomato to start.  More small talk centers on school and nightlife and our travel experience.  “Your grandmother seems to travel a lot.  Does she visit Seattle often?”  Ick.  “Um…she does travel a bit, usually with other people, but she says she doesn’t like to fly alone…So we don’t see her very often.”  A pause.  Sipping wine.  “Well, your grandmother is just the loveliest person.”

After the pizza, there’s a shrimp cocktail, grilled squid (very good!), several glasses of Merlot, and a plate of sushi.  Somewhere along the way, there is a call from the airlines about a credit card problem with Kelsey’s brother and his upcoming flight to New York.  The situation is fraught with a sense of entitlement.  But the travel agent can’t give them what they want.  Susan comments, haughtily, “Oh, she has an accent.  She doesn’t speak English.”  I've heard those ignorant sort of sentiments before.  Too many times.
Round dinner out with a slice of cheese cake and two coffees, and the bill comes to $146. I nearly choke.  I ask for a box for my cheesecake and save half of it for leftovers tomorrow.

It’s nice to make conversation and eat a fancy meal on someone else’s ticket, but as I walk away from dinner at the end of the night, a few things stick with me, making the overall experience just so-so.  Susan complained excessively about the hideous chandeliers in her bedrooms (which I thought were lovely), and her daughter got really uptight about the service at dinner because the waiters kept checking on us and trying to clear our plates.   I didn’t mind at all.  Besides, they’re still getting the kinks out of a new system.  And after Susan’s comment about the travel agent’s accent, any feelings of middle-class inferiority I may have had melted away.  That sort of lifestyle, where people walk around feeling entitled to perfection just because they have a lot of money in the bank, is the last thing I would ever want.  If this is what having money means, I hope I’m never rich.